Scotland 2013: Auchentoshan and Traveling to Arran

Trying to figure out how best to pack my panniers - a daily exercise

My first full day in Scotland... I woke up bright and early, reasonably well-rested and ready to head off into the unknown. I had two goals to accomplish: ride ~15 miles to Auchentoshan distillery for a tour, then get to Lochranza on the Isle of Arran by some combination of train, ferry, and biking.

After a smallish breakfast, I set out to get to my 10 AM tour of Auchentoshan. I had a few different options for how to get there, but went with more or less reversing course from the day before - down Byres to the river, then taking the cycle route paralleling Dumbarton until it petered out around Clydebank. At that point I more or less threw up my hands and got on Dumbarton, taking ease of navigation over the threat of cars not noticing me on a relatively busy road. I overshot the turn to Mountblow Road by a bit, but thankfully caught the mistake fairly quickly and got myself turned around. Thankfully I was able to ride the sidewalk along the A82 instead of having to get into traffic, then quickly ducked down the private road to Auchentoshan with plenty of time to spare.

The man at the gate was quite nice and promised to watch out for my bike if I propped it up by his shed. From there I wandered about the distillery buildings for a bit and eventually found my way to the visitor center.

There was a fairly large group of men waiting for a private tour, but I lucked out and there was only one other couple waiting around for the 10 AM standard tour. Rose greeted the three of us and took us off to see the Auchentoshan process. Rather than saddle you with the details, I'll point you towards Auchentoshan's very detailed website that covers most of what you'd want to know.

There are a few tidbits I can add, such as the picture right above. That middle bottle is blue for a reason - the foreshots, which contain lots of nasty chemicals like methanol and acetone, take so much copper sulfate out of the stills that it colors the liquid. You can also see it in the spirit safes as a blue-green patina around the chutes. This is why stills wear out - the copper is literally being stripped out of them molecule by molecule every time they're used.

After seeing their production process, we took a quick look through a dunnage warehouse. Auchentoshan only ages some of its spirit on site, with the rest going to the parent company Morrison Bowmore's Springburn Bond site in Glasgow, which is also where all of their whisky is bottled. A few more interesting things I learned during the tour:

Auchentoshan proofs all of their whisky with distilled water, so there's none of the "pure Highland/Island/whathaveyou water" imparting flavor directly to their non-cask strength bottles.

When their coopers rework ex-bourbon barrels into hogsheads, they put new oak heads on the casks to impart extra flavor, making an interesting hybrid of new and refill oak. This was also the first place that confirmed the fact that most sherry casks used in the whisky industry are now made custom - casks tend to be built new, seasoned with sherry destined for vingear, then emptied and shipped to Scotland. So despite all the talk of 'top-quality sherry casks' and whatnot, very few of them will have been filled with top of the line sherry. Ultimately this makes sense, since sherry bodegas are less interested in wood extraction than scotch whisky distillers. Sherry primarily gains flavor via oxidation, so the bodegas would rather use very old casks without a lot left in the wood to extract. Scotch whisky distillers want more active casks that will impart a lot of flavor to the spirit. However, this does cost a lot of money - Rose quoted a price of ~£500 for a custom sherry butt.

After our tour through the warehouse, we dropped into the tasting lounge, where Rose poured us samples of various Auchentoshan whiskies. Because we were such a small group, she actually offered to let us try whatever we wanted from the core lineup, rather than just the standard Three Wood pour. Having tried the 12, 18, and Three Wood earlier this year, I went for the 21 Year. Since I didn't have proper glassware I wasn't able to get detailed tasting notes, but my impression was that it was a bit too woody in comparison to the 18 Year that I absolutely adore. The 21 also has some sherry casks added to the mix, which didn't help when compared again the bourbon wood clarity of the 18. While a transcendent experience would have been lovely, there is something satisfying about enjoying a younger and more affordable whisky over than an older one.

After snagging a small single cask bottle of Auchentoshan at the visitor's center (haven't cracked it yet, so you'll have to wait for tasting notes), I packed my things up again and prepared to ride back into Glasgow. I took a slightly different route back after finding the Firth & Clyde Canal path, which started with the tiniest set of locks I've ever seen.

The water in the canal is almost level with the bridge, so instead of building a higher bridge they installed a set of locks to allow boats to pass underneath. While not quick, it's an ingenious solution that allowed the other infrastructure to stay in place. I continued along the path for a number of miles, until the pavement ran out and I was forced to head back onto the roads. I was saved by the Scot Guide app on my phone, as Google Maps had reset, leaving me without any other way to navigate (yes, I did have a paper map, but it was buried somewhere in my panniers). I can't recommend it enough if you're going to Scotland, as it stores maps offline and thus doesn't require cellular or WiFi service to work. After some circumlocution, I eventually made my way into the city center. Unfortunately it had taken me a lot more time than I had planned on, so I had to grab some yogurt for a quick lunch - setting a bad precedent for the rest of the trip - before navigating my way to Glasgow Central Station. There I purchased tickets to Ardrossan Harbour so I could catch a ferry to the Isle of Arran. The train ride was fairly uneventful, though I enjoyed watching the countryside slide by.

The train pulled into the last stop just in time for me to purchase tickets for the ferry and walk on board. I tied up my bike and slipped upstairs to the top deck.

Saying goodbye to the mainland for a bit

The weather was windy but dry and relatively warm, which I appreciated since I knew I had more miles to ride before the end of the day. We disembarked at Brodick, where I stocked up on a few essentials that I had forgotten and tucked into a late lunch/early dinner to refuel before I got back on my bike. The chili I had was... palatable... but then, I'm not sure how much I expected of TexMex cooking half a world away. The important part was that it was filling, so I set off with a reasonably full belly.

The opening miles of the road from Brodick to Lochranza were relatively flat and in decent shape compared to what I was expecting - everything I had read and heard suggested that island roads in Scotland tended to be a mess. The views were almost universally excellent.

The view across Brodick's harbor as the next CalMac ferry comes in

Resting in a small park a few miles along the road

The road continued to be pleasant until I reached North Glen Sannox. It was an astoundingly beautiful valley, but the road became a long and unrelenting uphill slog. Much of this was due to it being my first real day out, the fact that I had already ridden a respectable number of miles that morning, and not eating lunch at the proper time. Unfortunately this also meant that I didn't get as many pictures as I would have liked, but others have done as well or better than I could have.

The downhill descent on the other side was a little bit harrowing, as it had gotten a bit damp and it was both long and steep. Thankfully my brakes held out and it was only a little bit further to reach Lochranza. My first look across the bay was gorgeous, with the old castle standing watch over the sea.

I finally reached my destination, the Castlekirk B&B, where I found that a) I was the only person scheduled to stay there and b) the proprietor was taking off for a vacation, leaving me in her friend's hands. After being shown to my small but comfortable room, I more or less flopped over and went to sleep after such a long day.

Whisky Review: Auchentoshan Vertical Tasting

Auchentoshan is one of the few remaining Lowland distilleries and the only one to still exclusively use triple distillation. Its location just outside the Glasgow city limits also makes it one of the easiest whisky distilleries to visit.

The distillery was founded in 1800 (or 1825 - accounts differ). The early history is sketchy because most of the records were destroyed during WWII when the distillery was hit by Luftwaffe airstrikes (one bomb crater is now used as a pond to hold cooling water for the condensers). What is known is that the distillery passed through about half a dozen different owners before being purchased by Morrison-Bowmore in 1984. The Lowlander distillery was a good compliment to the company's two other distilleries - Glen Garioch in the Highlands and the eponymous Bowmore on Islay. Morrison-Bowmore was in turn acquired by the Japanese drinks conglomerate Suntory, who have continued to invest in their trio of Scottish whisky distilleries. The distillery was not open to visitors until fairly recently, but now hosts a well-regarded visitors center that I will hopefully get to see this summer.

All of the miniature bottles for this tasting came from The Whisky Exchange (which has a pretty broad selection of other minis as well). However, this does mean that my sample of the 12 Year is bottled at 40% rather than the US-spec 43%. Because of the lower bottling proofs, I'm guessing that all of these whiskies are chill filtered. Additionally, I can be sure that they've all had caramel colored added - it says so in German on the back.

Auchentoshan 12 Year

Nose: sour/unripe fruit esters (apple, pear, pineapple?), toasted malt, corn, a little grassy, lots of vanilla, caramel, light wine notes, berries in cream, peaches, nutty, roasted marshmallows, undertones of cacao, espresso, barrel char, and lemon. After adding a few drops of water, the malt notes become creamier, with more vanilla and stronger bourbon barrel notes, fruit notes retreat, lighter sour tinge, salted caramels emerge.

Taste: malty sweetness up front, undercurrent of creamy fruit and berries, sour notes along with bourbon grain (corn or wheat) mid-palate, very light oak at the back. After dilution, the sweetness at the front becomes more like sucrose with cane sugar grassiness, the sour and bitter notes from mid-palate back merge in a pleasant fashion, and there are more salted caramel notes in the middle.

Finish: malty bubblegum, still a bit sour, tannins build over multiple sips, somewhat astringent. After dilution it becomes more oak-tannin focused, but lighter and more pleasant.

I feel like this whisky would make a great entry point for a bourbon drinker into the world of single malts. The bourbon barrel character, along with, I understand, the influence of a smaller percentage of ex-sherry casks, is laid pleasantly over malt whisky to produce something that's on the lighter end of the single malt spectrum, but doesn't skimp on flavor. I enjoyed the toasty notes in the nose, though the palate wasn't quite as exciting. Solid, but not particularly inspiring. Craft presentation might help this whisky, both by increasing the mouthfeel and giving it a bit more oomph from higher bottling proof. However, it does form a good introduction to the core whiskies of the brand.

Auchentoshan 18 Year

Nose: green tea, ripe mangos, peaches, wood sugars, bourbon vanilla extract, cake frosting, dark chocolate, creamy toasted oak. After adding a few drops of water, it becomes much sweeter/maltier and more integrated - salted caramel and oak notes overlap, mango slips inside the wood, other fruit notes emerge - apples, pears, wine/grape, orange peel, and rose notes really pop out.

Taste: slightly caramelized sugar up front, well-integrated oak emerges mid-palate - offers a nice counterpoint with the continuing caramel - along with some tropical fruits, slightly grassy near the back. After dilution, there's a brief burst of cognac fruitiness just before the wood sugars up front, followed by a bit of orange peel, then overlapping corn/malt sweetness and oak mid-palate, leaving with cacao and chocolate.

Finish: very mild bitter oak, coffee beans, orange peel, wine, and a hint of malt.

This was easily my favorite of the three. It was nice to see a distillery putting together an older whisky from nothing but bourbon barrels, letting the malt shine on its own without any kind of cask finish. It's a clear case of good spirit going into good wood for a good amount of time. The mango notes throughout the whisky were particularly nice and played a great counterpoint to the bourbon-barrel caramel, vanilla, and oak. It's definitely a lighter, sweeter whisky, but there are just enough oak tannins to keep everything in balance. A superb example of what a distillery can do when they have faith in their malt - my hat goes off to Rachel Barrie, the master blender for Morrison-Bowmore. My only quibble is that I wish they would switch to craft presentation - drop the chill filtration and caramel coloring and bump up the bottling proof a few points. 43% is better than 40%, but that extra bit of care would take this from being a really, really good whisky to a stunner.

Auchentoshan Three Wood

Nose: creamy oloroso/PX sherry (especially captures the savory notes of oloroso sherry), raspberries, raisin fruit leather, strawberry bubblegum, peppery oak, salted caramels, roses, a hint of malt, tropical fruits. After adding a few drops of water, the nose becomes more robust and less sherry-driven, with the malt and bourbon barrel notes becoming more prominent - woody salted caramels, which integrates well with the savory sherry notes, floral/raspberry notes merge, and chocolate and barbecue sauce peek out.

Taste: grape/sherry notes begin sweetly, then slowly move into a more bitter mode, savory sherry and caramel notes emerge mid-palate with a dash of salt & pepper, then raspberry compote and oak tannins at the back. After dilution, the flavors become more bourbon barrel-driven, with wood sugar and savory sherry up front, with oak and malt layered on top further back, along with chocolate-covered raisins.

Finish: bittersweet sherry/raisin notes, slightly savory, peppery oak.

After the brilliance of the 18 Year, I approached this whisky with a bit of trepidation. It begins life as standard bourbon cask whisky, which is first transferred to ex-oloroso sherry casks for about a year, then finally to ex-Pedro Ximenez sherry casks for about a year. And my first sniffs and sips kind of bore that out - where was the malt? It seemed like everything had been smothered under a heavy blanket of sherry. However, a few drops of water radically transformed the whisky, letting the malt shine on its own and emphasizing the savory aspects of oloroso sherry, which played very well with the bourbon barrel notes. While I usually prefer higher proof bottlings, this one might actually be better at 41-42%. That extra bit of water made it, at least to me, a significantly better dram. On the other hand, I do wonder what kind of a whisky this could be if it was made from a blend of bourbon barrel and sherry cask whiskies, rather than from bourbon barrel whisky finished in ex-sherry casks. That might let the lovely bourbon barrel character shine while playing nicer with the burley oloroso and PX sherry casks at a higher proof. The sherries can add some really wonderful layers to the whisky, but it seems like a shame to use too heavy a hand in putting them on.

It was really interesting to compare and contrast these whiskies with the other triple-distilled single malts I've had from Hazelburn. Salted caramels seem to be a common thread, which makes me curious to find out if it's a feature of triple distillation or just a coincidence. I have a bottle of BenRiach's experimental triple-distilled whisky, so I'll have to see if it has the same notes. Overall I really enjoyed these whiskies and I'm rather interested in trying some of their other expressions, especially higher proof bottlings like Valinch or the Bordeaux Cask.